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D: Early Mesopotamian Constellations
4: Sumerian constellations and star names?
Gudea cylinder A. The two Gudea cylinders (both enormous hollow clay cylinders) and thousands of clay tablets were excavated by the French at Lagash between 1877 and 1900. Both Gudea cylinder A and Gudea cylinder B are held in the Louvre museum, Paris. They are both inscribed with lengthy hymns to the god Ningirsu (= Ninuta) and his temple at Lagash. They were among the first Sumerian monuments to be recovered. Lagash was one of the oldest Sumerian cities in the state of Lagash, and in the late 3rd-millennium BCE was also one of the largest cities in the world, if not the largest.
It is a widely held popular belief that the constellations and the zodiac originated with the Sumerians circa 3000 BCE. This is wrong on both counts. The existence of reasonable evidence for Sumerian constellations and star names dating to the 3rd-millennium BCE has been lacking until recently. The topic still remains controversial and somewhat speculative. The best evidence for early Mesopotamian constellations and star names still remains with texts dated to the 2nd-millennium BCE (circa 1800 BCE). There is no evidence of any established system of any of astral omens or astronomy in the Sumerian sources. There are no cuneiform texts from the 3rd-millennium BCE containing records of astronomical observations. However, the eminent assyriologist Hermann Hunger ("The Cultic Calendars of the Ancient Near East." in The Journal of the American Oriental Society, October-December, 1996) states: "While there is no doubt that the sky was observed in Sumerian times for the purpose of omens and probably also in connection with cultic actions, this is not astronomy, which involves measuring and computing."
The earliest known astral name in Mesopotamia is for Venus and dates to the early 3rd millennium BCE. Circa 3500 BCE the Sumerians recognised Venus was both a morning and evening star. The Sumerian Inanna myth, centred on the city of Uruk, is readily interpretable as referring to the periodic disappearance of the planet Venus from sight in the western sky and the planet's later reappearance in the eastern sky. Also, the two epithets húd 'morning' and sig 'evening' describe the goddess Inanna (Venus) as two manifestations of the planet Venus, one shining in the morning sky and one shining in the evening sky. Bendt Alster believed astronomical observations could be discerned in Sumerian compositions dated as early as circa 3500 BCE, which refer to the movement of the heavenly bodies and the constellations.
Circa 3300-3200 BCE A cylinder seal from the Uruk period in the Eldermeyer Collection has 3 star symbols at the top which may represent the Sun, Moon, and Venus. The cylinder seal also contains 2 symmetrical curved signs, one star, and a reed pole with a pennon - corresponding to the symbol for Inanna. The decipherment may be dingir.Inanna.Údsig = "Goddess Inanna [star] of sunrise and sunset." (The earliest symbol for Inanna is a tall bundle of reed stalks, tapered upwards, tied in 3 places, rolled (at the top) into a ring ('knot') on the outside, or with a pennon at the top.)
Circa 3000 BCE (Archaic Period) the Sumerians were able to regulate an intercalated lunar calendar by inserting a 13th lunar month approximately every third year.
Circa 3000 BCE there may have been knowledge of the 1.6 year synodic period of Venus, also the 8 year synodic period of Venus.
Circa 2900 BCE Sumerian pictographic texts discovered on monuments of the Sumerian city-states Uruk and Jemdet Nasr refer to the 29th century BCE, show evidence of calendar inscriptions and records of the rising and setting of Venus, and (supposedly) delineations of several constellations.
Circa 2700 BCE the goddess Nisiba [note: early and current spelling Nisiba but now usually spelled Nisaba or Nidaba] (the patron goddess of scribes) had a knowledge of astronomy attributed to her and her temple in Eres was called the "House of the Stars." She had a lapis-lazuli tablet which is sometimes called the "tablet with the stars of the heavens" or "tablet with the stars of the pure heavens." It was kept in her "House of Wisdom." It is possible that this lapis-lazuli tablet - which was connected with astronomy - was a kind of star-map or symbolic representation of the heavens.
Circa 2400 BCE Sumerian records provide evidence for the government practice of arbitrarily inserting calendar months to keep in order to keep the traditional month of the barley harvest (Nisanu of the Babylonians) in the harvest season.
Circa 2200 BCE Cylinder A of Gudea has a reference to the heliacal rising of a star marking the month. It has been speculated that the star was possibly Aldebaran (though this does not mean that the constellation of Taurus was established). A system of named stars is also indicated. (Also, recognition of Nidaba mul ku-ba as constellation of the 'corn-goddess'?)
Circa 2100 BCE Šulgi, king of Ur (reigned circa 2100 to circa 2150 BCE), recorded that he had learned how to calculate the appearance of the new moon while a student in a scribal school. Also in the Post Sargonic/Ur III Period the Sumerian term "house" (é) is (apparently) used to denote the celestial positioning of the moon. (Hermann Hunger ("The Cultic Calendars of the ancient Near East." in The Journal of the American Oriental Society, October-December, 1996) makes the informed and elucidating comment: "I find it misleading to mention the zodiac (and its subdivisions), which was invented around 400 B.C., in connection with the term "house" of the moon, since the meaning in the older texts is clearly not the same as in the younger. Even if the passages quoted refer to places in the sky, they could not be defined by fixed stars, because the moon is not in the same place on the same calendar date each year. Also, e-[u.sub.4]-7 seems to me to mean "house of day seven" and not "seventh house." And that could be a building on earth, as are the other "houses of the moon" mentioned.")
One of the earliest and clearest references to a celestial sign dates to the Sumerian Gudea Cylinder A where the goddess Nisaba tells Gudea, with a sign sent in the form of a bright star, when to begin construction of Ningirsu's temple. Also, several lines of inscription on Gudea Cylinder A, in a section dealing with his commission to build the Eninu [Eninnu], suggest astronomical observations in the 3rd-millennium BCE. (The clay cylinders of Gudea, known as Cylinder A and Cylinder B comprise a very important text corpus. They were found as foundation deposits in the temple Eninus [Eninnus] devoted to the god Ningirsu. Both the cylinders contain texts devoted to the achievements of Gudea (a king). The texts are quite long with about 1300 lines each. They are the most ancient complete Sumerian literary composition and are an important source for understanding Sumerian. (The language on the cylinders is actually called New Sumerian. Most of our present knowledge of Sumerian is derived from texts in an era in which Sumerian as a spoken language was already extinct.) The assyriologist Francesca Rochberg believes the poetic inscription describing Gudea's building of Ningirsu's temple suggests the existence of dream omens, extispicy, and even celestial signs, and places divination in the context of a temple building ritual.
Recent authors who have broached the topic of the possibility of Sumerian constellations and star names are:
(1) Alster, Bendt. (1976). "Early Patterns in Mesopotamian Literature." In: Eichler, Barry. (Editor). Kramer Anniversary Volume, Pages 13-24).
(2) Brown, David. (2000). Mesopotamian Planetary Astronomy-Astrology. (See especially pages 67, and 245-248.) Relies primarily on Cylinder A of Gudea.
(3) Cohen, Mark. (1993). The Cultic Calendars of the Ancient Near East. (See pages 178-180.) Relies primarily on Cylinder A of Gudea (and the identification of the heliacal rising of the month star Aldebaran (by Thorkild Jacobsen), and the work of the assyriologist Bendt Alster regarding possible astral themes in Sumerian compositions.
(4) Crossen, Craig. and Procházka, Stephan. (2007). "The Seven Sleepers and Ancient Constellation Traditions - a Crossover of Arabic Dialectology with the History of Astronomy." (Wiener Zeitschrift für die Kunde des Morgenlandes, Band 97, Pages 79-106). Postulates that a hymn to the god Enlil written in Sumerian implies a prototype of the wagon constellation (and its revolution around the polar region) in the 3rd-century BCE.
(5) Horowitz, Wayne. (1991). "Further Notes on Birmingham Cuneiform Tablets volume I." (Acta Sumerologica, Volume 13, Pages 406-417). The article includes a brief discussion of possible evidence pointing to a Ur III origin of at least some constellation and star names.
(6) Horowitz, Wayne. (1998). Mesopotamian Cosmic Geography. On pages 166-168 the author discusses evidence indicating the possibility of Sumerian star charts.
(7) Horowitz, Wayne. (2005). "Some Thoughts on Sumerian Star-Names and Sumerian Astronomy." In: Sefati, Yitzhak. et. al. (Editors). An Experienced Scribe Who Neglects Nothing: Ancient Near Eastern Studies in Honor of Jacob Klein. (Pages 163-178). [Kindly brought to my attention by John Halloran.] Wayne Horowitz discusses a tablet (The Nippur Forerunner to Tablet 22 of Urra = hubullu) listing 2 star names in Sumerian (line 396 having: mul gisz apin; and line 410 having: mul lu2.hun.ga2) which he believes were in use in Sumer and Akkad in the 3rd millennium. BCE. (The lexical series Urra = hubullu) in its classical 24-tablet form known from first millennium exemplars, presents lists of Sumerian entries and their Akkadian equivalents.)
The latter paper by the assyriologist Wayne Horowitz is an important discussion of the topic. The Sumerian literary work Enki and the World Order (288-289) refers to two constellations. These are "The Field" (= the Pegasus-square) and "The Chariot." Cylinder B of Gudea (ix, 15) refers to the chariot of Ningirsu ("The Chariot" constellation mul.giš gigir). He also expresses the possibility that constellation/star names written in Sumerian but appearing in late texts may actually be genuine survivors from the 3rd-millennium BCE. The name of the "Bull of Heaven" (mul gu4.an.na) in the Sumerian epic Gilgamesh and the Bull of Heaven has the same name as the bull constellation Taurus. In the epic Lugalbanda I there are two references (201-3, and 484) to "morning star(s). Two Sumerian hymns to the Moon-god indicate knowledge of stellar movement where mention is made that Nanna-Suen herds cattle (= herds stars). The term cattle meaning stars is obvious from the passage.
Wayne Horowitz concludes ("Some Thoughts on Sumerian Star-Names and Sumerian Astronomy." In: An Experienced Scribe Who Neglects Nothing, edited by Yitzhak Sefati et. al. (2005)): (1) Sumerian texts, dating back to the time of the earliest archives of cuneiform texts, do directly and indirectly indicate evidence of astronomical/astrological activities. (2) The state of present cuneiform evidence indicates that the Sumerians of the 3rd- and 4th-millennium BCE had no formal system of astral sciences (astronomy/astrology) that can be compared to astronomy/astrology in Akkadian texts of the 2nd-millennium BCE.
The Old Babylonian Period (circa 1800-1500 BCE)
The astral sciences of the Old Babylonian Period include:
(1) Star lists (2 examples are known).
(2) Astral omens (12-13 tablets containing a variety of astral omens are known).
(3) A quantification of the change in the length (duration) of day and night over the course of the year.
(4) The oldest surviving mathematical-astronomical work - the Venus tablet record (Tablet 63 of the omen series Enūma Anu Enlil dealing with the appearance and disappearance of Venus (and related omens), over 21 years.
Appendix 1: Problems with use of Sumerian words.
Developed during the late 4th-millennium BCE, the Sumerian language flourished during the 3rd-millennium BCE. Circa 2000 BCE Sumerian became obsolete as a living language but continued to be used as a language of scholarship until the end of the 1st-millennium BCE. During the Hellenistic period (332-63 BCE) there are tablets with Sumerian words transcribed in Greek letters. The Semitic Akkadians borrowed the Sumerian-invented cuneiform script for writing their own language. For Akkadian scribes Sumerian was a language learned during scribal education. Though no longer used as a spoken language, Sumerian remained in use as a written language of scholarship and education. "In the Old Babylonian period the bulk of a student's elementary education consisted of learning Sumerian, by then a dead language. (Christine Proust, Tablettes mathématiques de la collection Hilprecht, 2008)" The Akkadians not only borrowed the idea of cuneiform but also retained numerous Sumerian logographs and phonetic signs (Sumerograms). Additionally they added many of their own. (By circa 2000 BCE the Akkadian use of the Sumerian script had developed many modifications to Sumerian orthography with the Semitic equivalents for many signs becoming distorted or abbreviated to form "phonetic" values.) Because of their shortness Sumerian symbols remained in use in Akkadian writing. The original Sumerian script was adapted for the writing of Akkadian. Akkadian texts are mostly (approximately 90 per cent) syllalograms. Syllables were frequently represented by signs. An Akkadian word was separated into individual syllables, and each syllable was represented by a Sumerian sign. Most of the signs used to spell Akkadian represent syllables. Most signs had 2 or more values or readings. However, in some cases, 1 symbol could have up to 12 syllabic values. The terms ideograms and logograms are applied to the Sumerian language. The terms Sumerograms and logograms are applied to the Akkadian language. They are used in the graphic representation of a language other than Sumerian. In Akkadian Sumerian logograms are often named Sumerograms because they originate from Sumerian cuneiform signs. A Sumerogram is the use of a single, or group, of Sumerian, cuneiform signs as an ideogram or logogram rather than a syllabogram. An ideogram is a graphical symbol representing an idea rather than a word i.e., graphical wayfinding signage at airports. A logogram is a meaningful cuneiform sign that stands for an entire word. A logogram is a written symbol representing an entire spoken word without expressing its pronunciation i.e., $ for dollar. The term ideogram is also commonly used to describe logographic writing systems.
Proponents of a Sumerian origin for the Babylonian constellations like to argue that the names of many constellations are originally Sumerian, not merely Sumerograms (i.e., logograms, or ideograms) for Akkadian. However, the issue is not a simple one. Even late Babylonian astronomical records have a high logographic content. According to Wayne Horowitz it was common practice in 1st-millennium BCE astronomical texts to write star-names with Sumerograms. Akkadian syllabic writings of star-names are rare in the 1st-millennium BCE. Beginning circa 2500 BCE the Akkadians adapted the Sumerian cuneiform writing system for writing Akkadian. (Akkadian was the language of the Babylonian and Assyrian empires. It seems the Akkadians were the first Semites to borrow the Sumerian writing system.) Most cuneiform signs were taken from the Sumerians. Though the Akkadians spelled their words phonetically they still made use of the old Sumerian system. Semitic scribes preferred to avoid syllabic spelling. Long Akkadian words were preferentially written as Sumerograms. It is generally stated that the term logogram is used to describe a Sumerian word that is used in Akkadian cuneiform writing i.e., has been borrowed into the Akkadian language. But it is not always the case that Sumerograms mean the use of Sumerian loan words. It may be that there has been an Akkadian adaptation of a Sumerian logogram. In Akkadian texts Sumerian words are frequently used to stand for their Akkadian equivalents. A Sumerian word that is used in Akkadian writing usually indicates meaning (words) (i.e., are mostly used for common nouns i.e., "king" or "horse") rather than a syllable or sound. (Present day example: The use of 4 for "four" illustrates a single symbol representing an entire word without expressing its pronunciation.) Use of a Sumerian word is represented by 1 sign in the case of a simple logogram or by 2 signs in the case of a composite logogram. (Composite logograms are separated by a dot.) Use of logograms in Akkadian cuneiform texts are recognisable either because (1) a syllabic reading of the sign makes no sense in the context, or (2) cuneiform scribes usually add (preceding) signs (determinatives) that act as logogram identifiers and indicate the class the (following) logogram belongs to. (See: Beyond Babel by Steven McKenzie and John Kattner (2002).)
Sumerian loan words were written just as they were written in Sumerian. However, it is not (always) possible to decide whether the Sumerian words (word-signs or 'ideograms') used in later (non-Sumerian) times are actually Sumerian in origin or are just later Babylonian notions recorded in anachronistic Sumerian. (According to the cuneiform philologist John Heise, Akkadian speakers systematically used the Sumerian language at least to the Old Babylonian Period. It was the language of the Akkadian-speaking scholars.) Because of the ability of the Sumerian language to express multiple words with the brevity of a single logogram the Sumerian language was later used for either technical or ritual purposes. Sumerian logograms offered the advantage of brevity enabling technical terms to be written with a single symbol. (A Sumerogram can be symbol (sign) and would mean one word, or compound symbols (signs) - separated by spacings - representing multiple words.) A logogram used in an Akkadian text could represent either a loan word from Sumerian or a native Akkadian word. Sumerograms did not necessarily represent Sumerian loan words in the Akkadian language. Sumerograms were actually read in Akkadian only. The Sumerian symbols were used because of their shortness. To write the word meaning 'scales' (Akkadian zibanitu(m)), for the constellation Libra, either the single Sumerian logogram RIN could be used or the four Akkadian cuneiform signs zi-ba-ni-tum. "Logograms are used in Sumerian to write nominal and verbal roots or words, and in Akkadian as a kind of shorthand to write Akkadian words which would otherwise have to be spelled out using syllabic signs. For example, an Akkadian scribe could write the sentence "The king came to his palace" completely syllabically: šar-ru-um a-na e-kal-li-šu il-li-kam. He would be just as likely, however, to use the common Sumerian logograms for "king" and "palace" and write instead LUGAL a-na É.GAL-šu il-li-kam. (Introduction to Sumerian Grammar by Daniel Foxvog (2011, Page 12))"
Understandably, logograms were used as short-cuts in order to write faster and save space on a tablet. Sumerian word signs were frequently used as technical terms in mathematics and astronomy. In some ways the later use of Sumerian in Babylonian texts is somewhat similar to the continued use of Latin in the Middles Ages in Europe (termed 'Classical Latin'). It was the language of a cultural elite (i.e., the lingua franca). It was a general convention in ancient Mesopotamian scientific texts to use Sumerian word-signs to render Akkadian vocabulary words. As such no conclusion can be confidently drawn from the later use of Sumerian terms regarding the time or place of the origin of the content of the texts. Also, there are very few original Sumerian tablets containing any significant astronomical references.
Interestingly, Erica Reiner states (Astral Magic in Babylonia (1995, Page 22)): "Some prayers are written , it appears, in the Sumerian language, but in fact are simple transpositions of Akkadian phraseology into Sumerian words and phrases. They may have been recited - as in various rituals - by the priest or exorcist utraque lingua eruditus ('learned in both languages') while the client's prayer was couched in the vernacular, Akkadian."
In 2006 Martin Worthington (Faculty of Oriental Studies, University of Cambridge) stated: "Translating Sumerian is a particularly demanding and intricate task, as the language presents many more difficulties than modern or even other ancient ones. Sumerian (whose very existence was still disputed just over a century ago) is still not fully understood, and many nuances are provisionally lost to us. Research tools are inadequate -- a comprehensive up-to-date dictionary is lacking. The number of scholars working in the field is small. The literary compositions themselves have to be pieced together painstakingly from thousands of clay fragments housed in museums all over the world. The content of the compositions is often far removed from modern aesthetics and ethics and not always easy to comprehend."
Appendix 2: The Ur III Period.
The Ur III period (2112-2004 BCE) (not to be confused with the earlier Uruk III period reaching up to circa 3000 BCE) is generally considered the best (most abundant) documented century in antiquity. This was due to a state organisation that was very bureaucratic. It is also termed the Neo Sumerian period or the "Sumerian Renaissance." The tens of thousands of cuneiform tablets that have survived document an immense range of activities. This has resulted in nearly 100 years of intense scholarly work on the Ur III period. Within the context of the active intellectual endeavour recorded at this period no astronomy emerges.
Appendix 3: Sumerian Astral Omens?
No astral omens in the Sumerian language have been found. However, there is some evidence that ominous signs were observed and interpreted. The somewhat sole example is Gudea of Lagaš looking for signs from extispicy before beginning the rebuilding the temple of his city's god, Ningirsu. Nothing recovered to date from Sumer matches the Old Babylonian omens.
Appendix 4: Star Names in Sumerian-Eblaite List.
The Sumerian term mul.mul "The Stars" (= Pleiades) occurs in a Sumerian-Eblaite list as an equivalent of the Eblaite term mul kà-ma-tù "The Family." Four more entries in lexical lists from Ebla may be names for stars in Sumerian. (Of the 15,000 tablets recovered from Ebla approximately 80% are written in Sumerian. The date of the tablets is circa 2250 BCE.)
Appendix 5: The Greek Constellation of the Charioteer.
Regarding the Charioteer constellation in Babylonian and Greek uranography, and seen by Wayne Horowitz as also a possible Sumerian constellation. The stars of the Greek constellation Auriga (= Charioteer) were the stars of the Babylonian constellation Gamlu/Gam (= the Crook (= possibly the Babylonian sickle implement)). The source for the perpetuating error that Gamlu = Babylonian charioteer is Robert Brown Junior in his totally unreliable Researches into the Origin of the Primitive Constellations of Greeks, Phoenicians and Romans. (1899-1900; 2 Volumes). In the Babylonian scheme of the Stars of Amurru SHU.GI (Su.gi/Sibu) was - until rather recently - identified as Old Man or Charioteer. This was done by Waerden in Science Awakening II. However, SHU.GI (in both the Astrolabes / Mul.Apin) is now identified as Old Man (See: Mul.Apin or Astral Sciences in Mesopotamia by Hunger/Pingree). Hunger/Pingree identify SHU.GI as the stars of Perseus.
Appendix 6: Sumer and Venus/Inanna
Many of the important Sumerian cities were dedicated to goddesses. Uruk/Kullaba and Zabala were dedicated to Inana. The association of Inana/Istar and Venus was made very early. Sumerian hymns reveal that already in the third millennium the planet Venus was seen as the astral form of the goddess Inana or Istar. Inanna's name is documented first in the archaic tablets found in Uruk/Warka, which date back to circa 3500 BCE. At that time Inanna was already connected with the planet Venus and was called dINANA-UD/húd (Inanna 'evening) and dINANA-sig (Inanna 'morning'). The name dINANA-KUR (Inanna of the Netherworld) is also attested, but less frequently. The early Uruk tablets that are used to identify Inanna with Venus have only very concise information, with expectation of reader knowledge. The three names would seem to reflect the three phases of the visibility of Venus. Inana was the goddess of the morning and evening star (Venus), waking people and signaling the end of their working day. It is indicated that the Sumerians preferred Venus as the evening star, which was usually endowed with female qualities. Inanna of Uruk was identified with the Semitic Ishtar, also a Venus goddess worshiped primarily at Akkad. In Sumerian liturgy, the radiance of the goddess Inana is a principal element in her description as the planet Venus. She was hailed as "the great lady of the horizon and zenith of the heavens" and she was addressed as "the radiant star, Venus the great light which fills the wholly heavens." (See: A Companion to the Ancient Near East edited by Daniel Snell (2008; Page 326).) In Babylonia the Semitic Ishtar was equated with the Sumerian goddess Inanna. The Akkadians of northern Babylonia venerated Ishtar (= the Sumerian Inana) as a goddess of lust and war, and she was also regarded as goddess of the planet Venus. Ishtar’s astral aspect in the form of the Venus star is symbolized by an octoradial rosette (= can be divided into eight identical pieces).
The association of the graphic in Mesopotamia with the synodic astronomical behaviour of Venus is speculative. I am uncertain regarding how the recognition of such was accomplished and the pentagram developed. Egyptian use (circa predynastic period 5500 - 3100 BCE) seems to precede Mesopotamia (= use in Sumer). For early Egyptian astronomical origin – preceding use in Mesopotamia - and discussion of later astronomical association with Venus (at least in Mesopotamia); See: In Search of Cosmic Order: Selected Essays on Egyptian Archaeoastronomy edited by Juan Belmonte and Mosalam Shaltout (2009, Page 336).
The appearance of the pentagram symbol is in Mesopotamian is dated to potsherds from Ur circa 3000 BCE (or perhaps earlier). See David Brown below for its association with Venus.
"The two-tablet series known by its incipit as Mul.Apin 'the Plough Star' (this is not Ursa Maior, incidentally) outlines many similar schemes, but also includes star lists and omens. It is known from texts dating no earlier than the Neo-Assyrian period, but contains much material that is undoubtedly older. It has long been thought of as an early astronomical text, but again contains nothing that would have permitted the scribes to know in advance when an astronomical phenomenon would occur to even a moderate degree of accuracy. Its schemes are still no more then (sic) elaborations based on fundamental ideal periods, such as 30 days for the Moon, and 360 days for the Sun, idealisations that were common currency from the beginning of the third millennium at least (Brown 2000a: 106). The symbol of an eight-pointed star is known from pre-historic times, and its association with the goddess Inanna and thus Venus is assured from the mid-third millennium onwards (Black and Green 1992: 169–70). It can hardly be coincidence that the shortest period in years after which Venus repeats one of its characteristic phenomena is approximately eight. I would add, then, the eight-year synodic period of Venus to the list of ideal periods known throughout the third millennium BC. A related ideal pattern of Venus's behaviour is attested in the second section of the sixty-third tablet of Enūma Anu Ellil, the first part of which records phenomena dating to the reign of an Old Babylonian king (Brown 2000: 249 §9). Attuned as we are to seeking antecedents to modern thinking, we tend to regard the awareness on the part of the Mesopotamian scholars of the periodicity of the heavens, their assignment to those periods of round and ideal numbers, and the numerical elaboration therefrom, as in someway antecedent to our own exact science of astronomy. We confuse, though, the potential of such ideal periods to make accurate predictions with their intention, which, I argue, was instead to make the date and or time of an observation interpretable (Brown 2001). The ideal periods served the same purpose as the broad categories into which the visible phenomena of the heavens were divided – the constellations of the ecliptic, the four colours, the four cardinal directions, above and below, brightness and faintness, and so forth. Both reduced what would otherwise have been an infinite number of variables in any observation to a manageable few, all of which could be encoded with a particular value, and thereby made the heavens interpretable: 'If Nergal [meaning Mars] stands in [the constellation] Scorpius; a strong enemy will carry off the land [an ill-boding prognostication for the land, expressed as an enemy attack, since Nergal is associated with "the enemy"]' (Hunger 1992: no. 502: 11)." ("Mesopotamian Astral Science." by David Brown (Free University, Berlin), In: The Babylonian World edited by Gwendolyn Leick (2007), Pages 460-472; see Page 462.)
Gebhard Selz (University of Vienna) holds that circa 3000 BCE there may have been knowledge of the 1.6 year synodic period of Venus. (See: "Remarks on the Empirical Foundation and Scholastic Traditions of Early Mesopotamian Acquisition of Knowledge." In: The Empirical Dimensions of Ancient Near Eastern Studies edited by Gebhard Selz (2011, Pages 49-70; see page 63).
Jeffrey Cooley (Boston College), in his article, "Early Mesopotamian Astral Science and Divination in the Myth of Inana And Šukaletuda." (Journal of Ancient Near Eastern Religions, Volume 8, Number 1, 2008, Pages 75-98), holds the myth is related to the synodic activity of the planet Venus. Abstract: "The Sumerian tale of Inana and Shukaletuda recounts how the goddess Inana is raped by a homely gardener upon whom she seeks and ultimately finds revenge. Though this general plot has long been understood, certain elements of the story have remained largely unexplored. Previous scholarship has often suggested that within Inana and Shukaletuda, the goddess Inana is often described in her astral manifestation (e.g. S. Kramer 1961, 117; K. Volk 1995, 177-179 and 182-183; B. Alster 1999, 687; J. Cooper 2001, 142-144). Nevertheless, to date there has been no systematic treatment of this assumption and this study seeks to fill this gap. It is my thesis that certain events of the story (i.e. Inana's movements) can be related to a series of observable celestial phenomena, specifically the synodic activity of the planet Venus. This also explains the heretofore enigmatic climax of the story, in which Inana crosses the entire sky in order to finally locate her attacker, as a celestial miracle required by the planet Venus' peculiar celestial limitations. Furthermore, since in ancient Iraq the observation of astronomical phenomena was often done for the purpose of celestial divination, I suggest that certain events within the story may be illuminated if situated within that undertaking."
Most of the Babylonian tablets concerned with the planets give calculated dates (and longitudes) for the synodic phenomena. Very few tablets give data for the planet between the phenomena. The synodic phenomena for an inner planet are: (1) its first appearance in the morning, MF, (2) its subsequent disappearance, ML, (3) its appearance and disappearance in the evening, EF and EL, and (4) its stationary points. The synodic phenomena for an outer planet are: (1) its appearance (in the morning) MF, (2) its disappearance (in the evening) EL, (3) opposition, and (4) the beginning and end of retrogression, BR and ER. In late texts the Babylonians recorded the longitude of the planet at each occurrence in signs (of the zodiac) and thirtieths of a sign.
Copyright © 2008-2013 by Gary D. Thompson
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