/Nobody Wants To Be You
/Old People Like To Fuck
/Album, May 2006
| NOTES // REVIEWS // IMAGES | MP3 Downloads Sold at 160kbps. | |
| 1_ | Electricity Solo | 3:30 // LYRICS // NOTES |
| 2_ | No Surprises | 3:40 // LYRICS // NOTES |
| 3_ | Letters
Of Complaint [feat. Mark Kingston] |
5:09 // LYRICS // NOTES |
| 4_ | Domestic
Utopia [feat. Mark Kingston] |
3:50 // LYRICS // NOTES |
| 5_ | Postal
Aid Package From Mum [feat. Shane Adamczak] |
4:27 // LYRICS // NOTES |
| 6_ | Broken Toys | 2:54 // LYRICS // NOTES |
| 7_ | One Size Fits Most | 4:10 // LYRICS // NOTES |
| 8_ | Old People Like To Fuck | 2:13 // LYRICS // NOTES |
| 9_ | Loudspeeka [feat. Johnny Hotrod] [Album Mix] |
2:32 // LYRICS // NOTES |
| 10_ | Big
Night Out In Rockingham [feat. Lo-Key Fu] [Album Mix] |
7:23 // LYRICS // NOTES |
| BONUS MP3 ONLY TRACK: | ||
| White Haze | 4:08 // LYRICS // NOTES | |
/Old People Like To FuckThis song is seriously old. It was originally written in 2000 as a solo-lofi demo thing on casio. Then I started working with Eleesha on the Descend Here project (Descend Here was originally my solo project; then it became a Tomás & Eleesha project; then a Tomás & Eleesha & Mark project; then a Mark & Tomás project) and we needed to put together a submission for a compilation of artists in an electronic musicians' collective I was in at the time, Semikazi. So I worked on making this into a wierd, distorted IDM-pop thing. It's one of the most bizarre pieces of music I've ever made (and I've made some wierd ones) but at the time, I really thought it would be an alternative radio hit. I couldn't get my vocal right on it though, and a few live shows later, we really wanted to put out Would You Let Me Have This Dance? instead. So it got shelved. We stopped playing it live a couple of years later, as we were a bit embarrassed by it. Then I started doing my solo act and rediscovered the song. It was exactly the kind of electro-punk "fuck you" song I was enjoying doing at the time (I enjoy doing them now, too). By the time it came around to doing the album, I was starting to get sick of performing it as it's a pretty thin gimmick. But I didn't want to lose it forever, so I got it down on record. I'm also pretty chuffed that I was able to use a vocal sample Eleesha'd recorded when we tried to make the Descend Here version of it. Her intoned eleactroclash-ish vocal was my favourite thing about the track and I could never nail anything that could even approach the archness of it. Plus she hates it. Which I think is a bonus. |
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