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THE LADDER OF JACOB

THE LADDER OF JACOB

An illustrated lecture exploring the significance
 of the ladder in masonic symbolism
 and in other traditions and cultures.

by

   Wor.Bro.V.Rev. Frederick A. Shade PGStdB

Presented at the Australian and New Zealand
Masonic Research Council Conference, held in
New Zealand, 5th November 2004

Introduction

I will begin my talk with a question: What do you think of, or visualise, when I say the word ladder?

There are two images that come immediately to my mind, one of the ladder I use to clear out the leaves from the guttering around the house, and the other is the board game I played as a child called "snakes and ladders". The image of my garden ladder is obviously an utilitarian one, a piece of equipment. Its application is that of enabling me to ascend and descend safely around the house when doing my chores. As to the ancient game of snakes and ladders, this is obviously a strong image in my memory from childhood. This game is full of symbols and images, of the ladder which enables you to ascend quickly from one level to another on the board, and of the snake which drops you down just as quickly! And so, in this game, on of the symbols signifies progress, ascension and success, the other of falling behind or just falling, and of failure. I'm sure that psychologists could tell us a lot more about these images and symbols!

The ladder is thus vested with positive attributes and qualities, and the snake (thanks to the story of the Garden of Eden and the Fall), is presented as a symbol of temptation, failure, a fall from grace - down you go! (Of course, the snake represents some positive qualities too, and it is used in the Bible to represent different qualities. Notice that it is incorporated into the logo of medical practitioners and is also used in masonry in certain degrees such as the Rose Croix.)

I have started my talk this way because we are dealing with a symbol - the ladder, which in fact refers initially to things of this world, to an object we use around the home. But we go further with the use of the ladder as an utilitarian object to one having certain qualities and virtues, and these also have strong mythological, symbolic and moral significance. Thus the ladder signifies things not only of this world but also of other realities, such as heaven or the spiritual world, with the ladder itself being the link betweeen the mundane and the celestial. The ladder has been used since time immemorial as a symbol of the link that exists between God and Man, between spiritual and physical matters, between heaven and earth.

Of course, to us Freemasons, these things I have referred to are fairly obvious, but to the person in the street, even the regular church-goer, the spiritual significance of the ladder may escape their notice.

I have studied a number of references, masonic and non-masonic, in preparing this talk and I have come up with several interesting  aspects of this symbol as used in present societies as well as in the past. I will concentrate on those things which have a personal significance, especially how the ladder is used as a symbol of power, change, progress, and especially of ascension to the goal of spiritual perfection. These examples will show how antient and powerful a symbol the ladder is as well as helping us to appreciate the symbol in its masonic context.

Art and Poetry

In religious art, the ladder is used in paintings to represent an imaginary stairway of spiritual ascension. It is a symbol of communication, of intercommunion, the comings and goings between heaven and earth. These are the keys to the symbol of the ladder - it represents communication as well as ascension. Just about every culture and religion I have studied uses the ladder symbol in one form or another.

A good place to start is the poet Dante (1265 - 1321) as he has inspired many works of art. In his great work Paradiso we find the following words:

"....I saw rear'd up,
In colour like to sun-illumined gold,
A ladder, which my ken pursued in vain,
So lofty was the summit; down whose steps
I saw the splendours in such multitude
Descending, every light in heaven, methought,
Was shed thence." (21: 28-34)

Of course, his imagery has biblical origins.

Earth and Heaven

One of the difficulties is that, when we study earlier societies and civilisations, we tend to impose our own understanding, concepts and world-view on what we find. This is what makes the study of the past such a challenge. And one of the significant facts of very early cultures is that they did not distinguish between earth and heaven as we do; there was no difference - it was all one world, one reality! Even in the book of Genesis, in the story of Adam and Eve, it suggests that there was no distinction, at least initially.

But this connection, this unity of earth and heaven,  was "broken". Traditionally, this refers to the break between God and Man, of Man no longer abiding in the consciousness of God (in "paradise") etc. There are several theories as to why and how this happened, and each culture/religious tradition has its own version of this great myth. Some suggest, for example, that it represents the separation of the conscious and unconscious parts of the mind, or the development of individual consciousness etc. Whatever may have been the real cause, this break or separation between heaven and earth, between Man and his Creator, between spirit and matter, is a universal myth, and the ladder is an important symbol used in this story of Man's quest for communication, reconciliation and ultimately re-union with his Creator. (The works of the famous mythographers Mircea Eliade and Joseph Campbell provide us with a wealth of material on this and other aspects of Man's quest for knowledge and understanding, and also his desire for union with the Divine.) And as there is a need to re-establish this connection between earth and heaven, so also is there the need to find a way, a means, to achieve it, hence the symbol of the ladder appearing frequently in the stories and pictorial representations of this process.

Ladders and Stairways

Remember, symbols were very important in past ages, even more so than today. The reason is that most people in pre-modern societies did not read or write - it was not necessary for them to do so as it was primarily an oral tradition. They would use pictures and symbols for teaching and handing on of stories. (Even up to medieval times and later, stories of the bible and of church doctrine continued to be carved in stone and timber in the facades and interiors of cathedrals and churches as a means of teaching the congregation, e.g. Notre Dame entrance in Paris. Also, until recent times, the masonic ritual was not written down but learned within the confines of the lodge room and the secret knowledge was passed on to the new member "from mouth to ear", i.e. it was an oral tradition.)

In his magnum opus "The Golden Bough" James Frazer refers to the mythology represented in pre modern societies in this area of the globe. At the beginning of the rainy season the Sun god comes down into the holy fig-tree to fertilise the earth, and to facilitate his descent a ladder of seven rungs is placed next to the tree for his use. (pp. 179-180)

In the Mithraic rites, each rung of the ladder is guarded by an angel and the adept had to strip himself progressively in order to attain resurrection of the body. The Mithraic initiation had the ladder as a symbol of mystical initiation, ascending through the seven metals and planetary spheres. (We also come across this particular process in the Hermetic Tradition.)

In the Platonic tradition the ladder symbolism describes the ascent of the soul from one world to the other.

As a symbol of ascension, a ladder came to represent the ascent of Muhammed to heaven (from the top of Mt.Moriah, i.e. the place of KST and later temples).

In ancient Egypt, tradition relates that Ra's ladder linked heaven and earth. The Egyptian Book of the Dead refers to a ladder which allows one to behold the gods.

In the works of Egyptian art we find the souls of the dead climbing a stairway of seven or nine treads to reach the throne of Osiris and undergo the weighing of their hearts.

Climbing, stairways and ladders occupy an important place in contemporary psychoanalytical writings, especially in dream analysis (cf Carl Jung). Notice that the ladder and stairs are in fact variations of the same symbol, something I did not realise until recently when I came across a masonic book which made this connection (more later).

And so, what does the stairway represent? It is traditionally a symbol of the acquisition of learning and of the ascent to knowledge and transfiguration. If the stairway is rising skywards it indicates knowledge of the divine world. If it is descending into the earth it signifies knowledge of the occult (hidden) and the depths of the unconscious, and so "descending" does not necessarily indicate failure. (Take note of the HRA and similar degrees in regard to a "descent" and the discovery of something precious down within the earth.)

Christian Symbolism

We find the symbol of the spiral staircase in Rosicrucian, masonic and mystical traditions to name a few. In this form, the focus is in fact on the newel post of this axial evolution. And the staircase can also be a link between not two but three worlds - and thus it also descends to the Underworld as well as to the Heavens.

The early Church fathers used the ladder as a representation of the spiritual progress one makes along the path of discipleship. Importantly, St.Isaac the Syrian adds "The ladder of this kingdom is hidden within thee, in thy soul. Cleanse thyself, therefore, from sin and thou shalt find the rungs whereon to mount it". The means involved are a strict gradation of spiritual exercises, mounted rung by rung. "Thus", wrote St.Simeon the New Theologian, "the individual will succeed in raising himself from Earth and ascending into Heaven".

The great mystic St.John of the Cross refers to a ladder in his writings. He says that God's wisdom, which is a secret wisdom, is like a ladder - one ascends the ladder in secret contemplation, by interior prayer, to a knowledge of Heaven. (1)

I came across a remarkable observation which caused me to pause and reflect. And that is, that both Christ and the Cross are ladders, as is the individual. (These three representations of the ladder deserve a lecture in their own right.) But there is more! The same is true of trees and mountains! Each of them, in their own way, are used to symbolise progression upwards towards something higher (or better), as well as going down below (such as the roots of the tree). All of these are represented pictorially in religious art and in the writings of the mystics as metaphors of spiritual ascension to the Source of All - or to the depths for knowledge below or within.

Indeed, even the monastery is likened to a ladder, since the residents in the cloister make their way to heaven through rigorous discipline. And some monastery houses bear the name of Scala Dei - the Ladder of God.

As masons, we would ask the question: how many rungs are there on the ladder? In Hebrew the word for ladder is sullãm, and in Greek scala, and these words are used in the Old Testament. Jacob's Ladder is the most famous example, of course. On our 1st Degree Tracing Board, the traditional representation of Jacob's Ladder, which rests on the Volume of the Sacred Law (or on the lodge pavement) and ascends to heaven (represented by the clouds above and the angels on the ladder etc.), usually has 15 rungs, with the three theological virtues of Faith, Hope and Charity represented on the rungs either by symbols or angels, or both.

But there are other ladders in our sacred stories. For example, there is the three stories of Noah's Ark (Gen. 6:16), the six steps of Solomon's Throne (1Kings 10:19), the six and eight steps of Ezekiel's temple (Ez. 40:26,31), and some of the Psalms (120-134) are known as the Gradual Psalms or "Songs of Degrees" or "A Song of Ascents".

The early Church Fathers and the medieval mystics constantly refer to the rungs of the ladder between earth and heaven in their symbolism (Origen, William of St.Thierry, Dionysius the Aeropagite etc.). For example, we have the three stages of spiritual advancement - beginning, persevering and completing; the tripartite constitution of man - body soul and spirit (cf 1Thess. 5:22), and the mystical path of purgation, illumination and union with God.

Origen refers to the seven stages through which the soul must go before it can celebrate its marriage to the Word. According to St.John Cassian, the ladder which will reach to heaven has ten rungs, while St.Benedict  holds  that  they are twelve in number and describes them in chapter 7 of his Rule (2).

Sacred Mountains and Sacred Poles

I mentioned that mountains are a version of a ladder or stairway because they are usually depicted as having a spiral path around them, going from the bottom to the top. In religious art, the soul is seen moving through purgatory to heaven such as in the painting of Domenico di Michelino. Each level represents a mortal sin and the soul stays at each level for a period of time. In fact, Dante and Virgil depict   purgatory   as   being   below   the   seas   of   the   world   and  encompassing  the   southern hemisphere! (3)

Another representation of the mountain is in a 15th century Florentine work which shows a spiral path reaching from earth to God. It has seven tiers and is set apart from the world by way of a portal at the bottom. At each level scholars and philosophers receive instruction which originally comes from the Divine.

Another form of ladder which I had not until recently came to recognise as such, is the sacred pole which appears in many pre-modern societies such as the Australian aborigines. The pole is their representation of ascension to the gods, and in fact the ascension of their god from this earth. This sacred pole makes their land sacred, wherever they go, in the same way as the ark of the covenant was sacred to the Jews in their wanderings and enabled their God to be continually "present" with them, and the land they lived on to be sacred. (4)

Freemasonry

And now we should apply this information to the representation of the Ladder in the Masonic Tradition.

In the Craft we have Jacob's Ladder represented on the 1st Degree T.B., and a winding staircase on the 2nd. The latter is in fact a version of the former.

In the 1st Degree, Jacob's Ladder is represented in a simple form as a ladder resting on the VSL and ascending to the heavens. In this composite picture we can see how the TB is an excellent means of metaphysical and moral instruction. Metaphysics is more than just expounding on or exhorting certain moral virtues, as it is really an endeavour to explain Man's nature and destiny as well as his duties in this life.

Albert Mackey has a comprehensive article on Jacob's Ladder in his "Encyclopedia of Freemasonry". He states that Jacob's Ladder first appeared on a tracing Board in 1776. Here it had only three rounds (FHC?), but later the ladder went to seven rounds or more (4 Cardinal and 3 Theological Virtues?).

If we go to the Emulation Lectures we have the following questions in the First Lecture, fourth section:

"Q. Of how many staves or rounds was this Ladder composed?

 A. Of many staves or rounds, which point out as many moral virtues, but three principal ones, which are FAITH, HOPE and CHARITY.

 Q. Why Faith, Hope and Charity?

 A. Faith in the Great Architect of the Universe, Hope in Salvation; and to be in Charity with all men. (FHC are then defined at length.)

 Q. On what does the Ladder rest?

 A. The Volume of the Sacred Law." (pp 35,36)

In the 2nd Degree, the ladder has been changed into a winding staircase. The candidate actually treads the steps towards the East on this winding staircase - a very signifcant action and one which needs to be taken more seriously. (It could also be interpreted validly that the candidate takes the three steps of Jacob's Ladder in the 1st Degree.)

I mentioned earlier that Jacob's Ladder appears on most Tracing Boards having 15 rounds. (Bernard E. Jones refers to an Irish ritual of 1796 in which the ladder is shown with 11 rungs.) Whether we have here a blending of meanings and symbols, I do not know. Certainly, the steps for the winding staircase on the 2nd Degree Tracing Board should be at least 15, consisting of 3 + 5 + 7 or more. An explanation of this is contained in our 2nd Degree Lecture on the TB, and here are some of the questions from the Emulations Lecture. In the Second Lecture, fourth section, we read:


"Q. Where did they then P..

 A. Up the winding staircase.

 Q. Consisting of how many steps?

 A. Three, five, seven or more.

 Q. Why three?

 A. Rule a Lodge.

 Q. Why five?

 A. Hold a Lodge.

 Q. Why seven or more?

 A. Make it perfect.

 Q. Who are the three that hold a Lodge?

 A. The W.M. and his two Wardens.

 Q.  Who are the five that hold a Lodge?

 A. The W.M., two Wardens, and two F.Cs.

 Q. Who are the seven that make it perfect?

 A. Two E.A.s added to the former five."

      .................

 Q. Why do seven or more make it perfect?

 A. Because K.S. was seven years and upwards, in building, completing and dedicating the T. at J. to God's service." (pp. 82,88)

We need not detain ourselves here with questions such as which way the stairs should wind, how many steps it should have or how it ought to be depicted on the Tracing Board. Let's just stick to the concept of a winding staircase and what it is intended to symbolise.

There are ladders appearing in several other Orders in Masonry and they usually have seven rungs. The number seven is the number of perfection and we have several Rites or degrees called  ceremonies of "perfection" in which the ladder, the "ladder of perfection", figures prominently. This number is often broken up into three and four and each has its own set of significances. The number three obviously refers to a trinity of some sort e.g. the Holy Trinity of the Christian Faith, and also qualities and attributes such as Faith, Hope and Charity. The number four is used to refer to all sorts of things such as the four quarters of direction, the four elements and the initials of Divine Names etc. The number seven can be interpreted to signify the seven days of creation, the seven cosmic stages of evolution (Theosophy), the seven planetary spheres (as in several religions), the seven parts of Man's constitution, the seven stages in the alchemical process and the seven Liberal Arts and Sciences.

So you can see that the ladder has been used to represent ascension into a higher realm, either in this world or beyond, and also descent into a lower or hidden world. The steps of the ladder (or treads of a staircase in a building or on a mountain) have been made to represent moral virtues, spiritual qualities, physical and spiritual advancement, or knowledge of things celestial or terrestial. It has been, and is, a very versatile symbol and I believe it to be one of the most powerful we have in our Tradition.

Conclusion

Jacob's Ladder is a very dynamic symbol and it points to moral and spiritual principles and virtues. It is a symbol indicating our desire to travel along the path or up the ladder which takes us to the heavens.

For Freemasonry, our symbol, the ladder, has its origin in the story of Jacob as told in the book of Genesis (ch.28). Masonry has taken up this story and developed the symbol of the ladder into what we now have depicted on our several TBs. But Carl Jung and others (e.g. Frazer) have also shown us that symbols such as this one are in fact universal and archetypal. And so a survey of other cultures is justified and this is why I have spent more time on non-masonic sources in my presentation. Even our own 1st Degree TB Lecture acknowledges the debt we owe to the Egyptian mystery schools.

The title of my talk "The Ladder of Jacob" could have as its subtitle "The Ladder of Lights" as the symbol is, for me, a blending of masonic and kabbalistic terminology. "The ladder of lights" is the title which one author uses for his book on the Tree of Life or Sephiroth in which he describes aspects of the Jewish mystical tradition called the Kabbalah. I mention this as, although our study of masonry begins with our own tradition, our own writings and documents, it should not end there. No organisation or tradition can be studied with completeness only within its own material, it has a much wider context - political, cultural and religious. Also, an organisation like masonry has several different streams of thought and influence within it. And so we need to appreciate our masonic tradition within this wider context, in this wider milieu which has moulded and influenced its rituals, symbols and teachings down the centuries.

One of the outcomes of this study for me is that I now appreciate more deeply just how dynamic a symbol is Jacob's Ladder, and also how it speaks to us today just as it did to 'our ancient brethren'. It is more than just a reference to a story in our own scriptures, to the remote past; it is a metaphor of the dynamic relationship we have with the Divine and of our communing with God. The ladder is also a symbol of the direction I am to travel and an indication of some of the "working tools" I am to take with me on this journey back to God, whether one sees the symbol as a ladder, a winding staircase, a tree or a mountain. For me, the ladder, Jacob's Ladder, is the precursor of the more developed symbol of the Tree of Life of the Kabbalah, for the latter has grown out of the former.

This study of the ladder has been very rewarding for me. It has reminded me of the truly spiritual basis of our fraternity, its teachings and symbols, and I believe this needs to be emphasised in our lodges. Also, the claim of the Craft to its universality is justified, and that it can be further strengthened  by a better understanding of other cultures and their traditions. In this way, we can show how these universal and archetypal symbols, such as Jacob's Ladder, speak to all peoples, all nations.

******************


Footnotes

1. St.John of the Cross and Jacob's Ladder

In his mystical treatise The Dark Night of the Soul, St.John of the Cross reflects on the gaining of God's wisdom and our ascent to him with the use of this divine wisdom. He writes that the fire of divine love purges the soul in the darkness. He goes on to say that the soul is purged when it is illumined with this fire of loving Wisdom (for God, he says, never grants this mystical Wisdom without love, since love infuses it).  We are reminded that the wisdom of God is silver tried in fire, i.e. the fire of purgative love (Lamentations 1:13), "For this dark contemplation infuses into the soul love and wisdom conjointly, to each one according to his capacity and need, enlightening the soul and purging it". (Notice God's discrimination, of the giving of Wisdom according to one's capacity to receive. The early Church fathers also refer to this.) He goes on to say (ch.18), using imagery of old, that God perfects and exalts the souls of humanity by His secret Wisdom.

He recalls that David said: "Blessed is he that hath Thy favour and help, for such a man hath placed in his heart ascensions into the vale of tears in the place which he hath appointed, for after this manner the Lord of the law shall give his blessing, and they shall go from virtue to virtue as from step to step, and the God of gods shall be seen in Sion". (Ps. 84)

St.John of the Cross further explains how this ascent on the mystical ladder is not only a deeply spiritual process, but also why the soul of the individual is not usually aware of its own progress or ascension. He reminds us that Jacob slept (a symbol of deep contemplation) when he saw the ladder - thus indicating how secret and deeply personal is this road and ascent to God. According to him, the number of steps on this ladder of love is ten (an association with the Decalogue or with the Tree of Life - the Sephiroth?), and that it is only upon arriving at the upper levels that the soul becomes aware of its progress.

2. St.Benedict's Rule for Monasteries

In chapter 7, On Humility, we read the following:

"...Hence, brethren, if we wish to reach the very highest point of humility and to arrive speedily at that heavenly exaltation to which ascent is made through the humility of this present life, we must by our ascending actions erect the ladder Jacob saw in his dream, on which Angels appeared to him descending and ascending. By that descent and ascent we must surely understand nothing else than this, that we descend by self-exaltation and ascend by humility. And the ladder thus set up is our life in the world, which the Lord raises up to heaven if our heart is humbled. For we call our body and soul the sides of the ladder, and into these sides our divine vocation has inserted the different steps of humility and discipline we must climb."

3. Mountains

In the fresco by Demonico di Michelino in Santa Marai del Fiore, purgatory is depicted as a huge mountain rising from the waters which, according to the ancients, occupied the whole of the southern hemisphere. The mountain of expiation is an inverted cone, at the summit of which is the "divine forest thick and alive" of the Earthly Paradise. Seven ledges encircle the mountain. One of the mortal sins is punished on each of them and the souls stay there for a period of time according to the gravity of their sin.

4. The Sacred Pole

For many ancient tribes the sacred pole was also the cosmic axis of the world. The image of this cosmic pillar is the Milky Way and can be found referred to as such in the sacred writings (Rig Vedas) of the Hindus and elsewhere. In a similar manner was the sacred mountain depicted as having a cosmic setting as well as a physical location.

*********************

References and Helpful Sources

General:

The Penguin Dictionary of Symbols, Penguin pubn, England, 1969

Sir James Frazer, The Golden Bough. A Study in Magic and Religion
Abridged edn, Macmillan, London, 1960

A. Roob, The Hermetic Museum: Alchemy and Mysticism  pub. Taschen, London, 1997

The Life and Times of Dante,  pub. Paul Hamlyn, London, 1967 (Portraits of Greatness series)

Masonry:

 B. E. Jones, Freemason's Guide and Compendium Harrap, London,  1950

A. Mackey, Encyclopedia of Freemasonry (rev. H.L. Haywood)
The Masonic History Co., Chicago, 1950

W.K.MacNulty, Freemasonry. A Journey through Ritual and Symbol,
pub. Thames and Hudson, 1991

The Lectures of the Three Degrees as Demonstrated in the Emulation Lodge of Improvement
A. Lewis, England, 1974

Lectures:

F.A. Shade, Why Ritual? (Ritual and Health) (Victorian Lodge of Research 1995)

F.A. Shade, The Sacred and Profane; A Study of Religious Man
(Golden Jubilee Chapter of Research 1988)

Kabbalah:

Dion Fortune, The Mystical Qabalah, S. Weiser USA, 1997

William S. Gray, The Ladder of Lights, Helios Books U.K., 1968

Charles Poncé, Kabalah. An Introduction and Illumination for the World Today,
Quest USA, 1973

Illustrations

The illustrations and explanations are available from the author.

 

 

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